RUTH IS NOT A ROMANCE TALE

April 9, 2017

In a fascinating article at MISSIO ALIANCE  the author explores how a male pastor exhibits a clear misunderstanding of the purpose and focus of the biblical book of Ruth.  It is written by Carolyn Custis James, the author of THE GOSPEL OF RUTH.  The multilayered value of this article includes the fact that male patriarchal society turns a woman’s faith journey into a romance novel using a Cinderella hermeneutic.  Misunderstanding both the motivation and cultural setting, pastors can easily miss a great opportunity to teach the true word of God.  As Carolyn James says it:  “Driscoll needs to realize that the Bible is not a Disney movie, but an earthshaking existential confrontation with the deepest issues of life in a fallen world and of the hope that is Jesus.”

in part she writes:

…Abandoning Cinderella for a Better Love Story

Within the patriarchal culture, a woman’s chief contribution in life was to produce sons for her husband. Women in the Bible are desperate for sons. None of them are begging God for daughters. Under patriarchy, a woman’s value is gauged by counting her sons. Sons are essential for family survival. The fate the ancients feared most was for a man to die without a male heir to perpetuate the family for another generation.

So when a post-menopausal Naomi loses her husband and both her sons, she plummets from the status of an honored mother of two sons to a zero. Little wonder she describes herself as “empty.” Death destroyed her life’s work.

Far from a Cinderella story, the book of Ruth is a Job story. Naomi is a female Job. That changes the entire book and makes God the rightful focus of the story.

Like Job, Naomi loses everything, sees Yahweh as her adversary, voices bitterness of soul, and raises hard questions about God that her story engages. Naomi believes she has lost God’s love (hesed). Why would Yahweh love her?

Realistically, the “happily-ever-after” evaporates. Life goes on, but these kinds of losses reconfigure a person’s life. Sandy Hook and Gold Star parents will go to their graves in grief, no matter how many good things may happen to them. Don’t ask them to “Get over it.”…

God doesn’t speak to Naomi through a prophet, a voice from heaven, a thunderbolt, or a vision. God communicates his love to her through her immigrant daughter-in-law Ruth whose every action—from her vow, to her gleaning, to her proposal to Boaz, to the birth of the son she gives to Naomi—speaks hesed to Naomi’s empty soul.

Hesed is no ordinary kind of love. It is a loyal, self-giving, costly love that motivates a person to do voluntarily what no one has a right to expect or ask of them. It shows what it means to “love your neighbor as yourself.”

God’s hesed is the bedrock of his people and it saturates the pages of scripture. Ruth’s hesed for Naomi proves to be contagious, as Boaz, his harvesters, and Bethlehem elders all join in the hesed epidemic that spreads through Bethlehem and restores Naomi’s hope in God….

Perhaps the most surprising twist in the story is that Ruth isn’t being rescued. She’s the one launching the rescue, and the person being rescued is her deceased father-in-law, Elimelech. She initiates that rescue when her proposal to Boaz turns legal and she confronts him with two Mosaic Laws concerned with rescuing men. The Kinsman Redeemer Law requires the nearest relative to purchase a man’s land if he is forced to sell. The Levirate Law requires the blood brother of a man who dies without a male heir to marry his widow. The first son born to their union takes the place of the dead man on the family tree, including his inheritance.

To read the entire article click here.

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